Virtual Production in Film: An interview with Director Corry Wiens

Meptik spoke with award-winning director and editor Corry Wiens about his short film Defy the Odds, the message behind the film, and why he chose virtual production

Bill Lester, the first black NASCAR driver to win a race in NASCAR’s Grand-Am series.

Defy the Odds, the short film directed by award-winning director and editor Corry Wiens is based on the true story of NASCAR driver Bill Lester, the first black man to compete professionally in the NASCAR sanctioned Grand-Am Series and the first black NASCAR driver to win a race.


The short film was shot at Arc Studios, the first Nashville-based virtual production studio, powered by award-winning video production company Gear Seven in partnership with the Atlanta-based virtual production team at Meptik.


Defy the Odds is based on Bill Lester’s memoir, Winning in Reverse, and focuses on a man pursuing his passion and letting nothing stand in his way. 


At the age of 37, Bill Lester decided to leave his job at a big engineering firm to pursue his passion for racing full-time. With the odds stacked against him as a black, middle-aged man in a southern, white man's sport, Bill rose above them all and made history time and time again. 


Meptik spoke with director Corry Wiens about the reason he chose to tell Bill’s story, the message behind the film, and why he chose virtual production to produce his short film.

Leaving his comfortable job for a risky journey at age 37.

Meptik: Thank you for taking the time to discuss your new short film, Defy the Odds. In your own words, can you tell us what your short film is about?

Corry: At its core, Defy the Odds is a story about a man caught between two worlds. It’s a juxtaposition between his monotonous 9-5 office job that he’s trapped in, and this high-octane world of racing that he’s constantly dreaming about.

Meptik: What inspired you to make this project come to life?

Corry: I was really drawn to this story because I think feeling trapped within a job when your heart is elsewhere is something that a lot of us can relate with. Bill’s courage to walk away from his life of comfort to pursue his dreams is truly inspirational. 

Meptik: Why was it important for you to tell Bill Lester’s story? 

Corry: When I read through Bill’s memoir, Winning In Reverse, my initial reaction was: “This is a story that needs to be told.” Feeling trapped within a job when your heart is elsewhere is something that a lot of us can relate with. Bill’s courage to walk away from his life of comfort to pursue his dreams is truly inspirational. 

On top of that, Bill was also up against incredible adversity as he pioneered his way through the predominantly white sport of racing. Bill persevered in spite of these barriers and spent more than a decade competing at the highest levels of racing. 

As a filmmaker, I wanted to use my influence to elevate Bill’s story. His determination to choose the hard road, even when the odds were stacked against him, is something that we can all admire and learn from.

Meptik: Many of your scenes were shot at Arc Studios. What led to the decision to use virtual production for your film? Was this your first time using virtual production? 

Corry: This was my first time filming on an xR set, and I immediately fell in love. From the beginning, I had a vision for a very specific type of office space for the scene that also included a unique light trigger for the overhead fluorescents. Finding this type of location would have been next to impossible, and building this type of set would have required a much larger budget than we had. Thankfully, Meptik was able to bring my vision to life by creating a virtual set that had exactly what we needed.

the greatest benefits of virtual production come from versatility and affordability
Cubicles within a mundane office setup. Virtual production made this setup easy and budget-friendly.

Meptik: How was the shooting experience of using an xR set? 

Corry: Filming on the xR set blew my mind. We made a snap decision on set to film at a 3/4 profile angle to our subject and as we moved the camera closer to find the right angle, the entire background shifted and moved accordingly. If you were looking at the monitor, you would have never known that we were in front of an LED wall and not on-location. On top of that, we were able to dial in the sunlight hitting the background to be exactly the right intensity, angle, and color that we wanted it to be. This type of flexibility on set opens up a whole new world of creativity when filming in a studio. 

he future of filmmaking IS virtual production.

Meptik: From your perspective as a director, where do you see the benefits of virtual production? 

Corry: To me, the greatest benefits of virtual production come from versatility and affordability. Being able to create the exact environment that you need without using a green screen or needing to do an expensive set build is huge. We never would have been able to pull this short film together - at least not the way I envisioned it - without utilizing virtual production. 

In my opinion, virtual production is also infinitely better than green screen. Not only was I able to view and react to exactly what was being captured on set, but the cast was also able to be in the environment and react to it without being left to wonder what it will look like in post. It also looks much more pleasing on camera because you get natural light spill and reflections off of objects without needing to comp those in with VFX. We were able to capture some beautiful light reflections off of the surface of the desk that otherwise would have been expensive to fix had we used green screen.

Meptik: As someone with years of experience in telling stories for major non-profits and leading brands: where do you see the future of virtual production for filmmaking?

Corry: I think the future of filmmaking IS virtual production. There are just so many benefits to this approach for almost any type of scene that is being captured in a studio. I wouldn’t be surprised if this was the go-to for all studio film productions in the next decade or two. 


Watch the Defy the Odds short film here:

Corry Wiens and meptik

Corry Wiens is an award-winning director based out of Los Angeles, CA. His unique style lives in the intersection of story and grit, resulting in beautiful pieces that leave a lasting impression. His knack for story comes from over a decade of experience as a commercial editor in Chicago, IL. When he’s not on set or in the edit suite, he spends his time with his wife, Lauren, and their three children. 

Learn more about him at

CorryWiens.com

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